Classical Performance :: Voice
program :: curriculum :: faq :: brass :: guitar :: percussion :: piano :: strings :: voice :: woodwinds
- Regular vocal Master Classes by top teachers in the music business
- Performance opportunities in standard operatic repertoire in Opera Workshop, Concert Choir, Chamber Singers, Men's Chorus, New Music Series, Small Chamber Ensembles
- Solo performance opportunities in University Choir in repertoire such as Messiah, Carmina Burana, Mozart Requiem, and Faure Requiem
- Trips to NYC for performances at the Metropolitan Opera, Carnegie Hall, New York City Opera.
Special courses and classes:
- One semester each of English, French, German and Italian Diction for Singers
- Opera and Oratorio Aria Repertoire
- 19th century French melodie and German Lieder
- Pedagogy for Vocalists
*Stephen Bryant, Area Coordinator
Professor Stephen Bryant is a Grammy nominee with a distinguished career in concert and opera that has taken him around the world, with acclaimed performances in the United States, Europe, the Middle East and Asia. Of his performance of Giulio Cesare, the Pittsburgh Post-Gazette wrote "Stephen Bryant sings Caesar's music with a solid baritone sound that contains enough metal (and mettle) to suggest the strength of a great warrior." In 2010 Prof. Bryant performed in the opera "Flora" at the Spoleto Festival in Charleston, South Carolinal. He is scheduled to return to Spoleto this season as well. In 2008/2009 he performed the role of Dante in Tan Dun's Marco Polo at De Nederlandse Opera in Amsterdam, the recording of this performance was responsible for the Grammy nomination Prof. Bryant received. Other recent engagements include Messiah with the Peniel Concert Choir in Avery Fisher Hall, Mendelssohn's Elijah with Canterbury Choral Society and A Sea Symphony with Asheville Choral Society. Season 07/08 brought a slew of oratorio performances. He sang Messiah with the Pensacola Symphony and the Eugene Concert Choir, and the Mozart Requiem with Princeton Pro Musica and the Verdi Requiem with the Buffalo Philharmonic Chorus. He also performed at Carnegie Hall in Mahler's 8th Symphony with Canterbury Choral Society and appeared with the symphonies of Charleston, Bozeman and Pioneer Valley. Mr. Bryant has sung with the New York City, San Francisco, Santa Fe, Indianapolis, and other opera companies of renown. In performance with major orchestras from The New York Philharmonic and Philadelphia Orchestra, to the Israel Philharmonic and Japan Philharmonic, Bryant has delighted audiences with a repertoire spanning from Mozart and Verdi to Virgil Thomson and Stewart Wallace. "Bryant stormed the heavens with his large and commanding instrument," said New York Newsday of his performance in Handel's Messiah. His numerous appearances in Handel's Messiah include collaborations with the Pittsburgh Symphony and Musica Sacra at Carnegie Hall. The Bass-baritone's frequent performances of Mendelssohn's Elijah include appearances with the New York Philharmonic under Maestro Kurt Masur, and the Philadelphia Orchestra under Wolfgang Sawallisch. A premiere interpreter of the works of Academy Award-winning composer Tan Dun, Bryant created the role of Dante in the world premiere of the opera Marco Polo. He reprised the role at London's Barbicon Center for a performance broadcast by the BBC. Performances include appearances at the Munich Biennale, the Holland Festival in Amsterdam, the Hong Kong Arts Festival, New York City Opera, the Japan Philharmonic in Tokyo, Settembre Musica in Italy, and at the Huddersfield Contemporary Music Festival in Scotland. The Times of London referred to the " . . . unearthly overtone singing, brilliantly accomplished by Stephen Bryant." Stephen holds degrees from Oberlin and the University of Michigan, and is on the voice faculty at William Paterson University.
A native of Wisconsin, Karen received her undergraduate degree in Music Education at William Paterson University where she was awarded Outstanding Senior Educator, and her Masters in Vocal Performance at the University of Southern California where she received the Faculty Award for Best Student . Karen performed with the West Coast Opera Outreach in Los Angeles and San Diego, CA. Highlights were singing Susanna (Le nozze di Figaro) with director Franz Bourlage and conductor Randall Behr and premiering The Wife in a one act opera under the direction of Christopher Larkin. She has also performed extensively in Musical Theater touring with the John Michael Kohler Regional Theater Company. Some of her roles include Maria(Sound of Music), Bianca (Kiss Me Kate) Anne (A Little Night Music) Berthe (Pippin) Josephine (HMS Pinafore) and Yum Yum (The Mikado). Karen also specialized in contemporary music appearing at Symphony Space in NYC with the New Jersey New Music Ensemble as well as touring with the San Diego New Music Ensemble and premiered "The Telephone" by Peter Westergard at the Cape May Music Festival. Karen has also recorded vocal tracks for English and Spanish commercials and is requested for recording original works by composer and organist K. Scott Warren of NYC. She sings professionally on the choir circuit in NYC and continues to solo in New Jersey and New York. Karen debuted as a soloist at Carnegie Hall with Mid America Productions under the direction of John Rutter.
As a teacher Karen taught on faculty at USC and as guest artist at Columbia University and NYU. She is an active member of NATS. Karen is Co-owner and Co-founder of the performing arts school, Gateway To The Arts, in Boonton, NJ, where her students have gone on to scholarship into competitive fine arts Conservatories and Universities, attain professional management and agent representation, and perform professionally across the country and abroad. For more information visit www.Gatetothearts.com
B.M., The Juilliard School; M.A., Columbia University Teachers College; D.M.A. studies ongoing, City University of New York, Graduate Center; additional training at the Mozarteum, Caramoor, the Festival de Musica Clasica in Puigcerda, Spain, and Italian language studies at the Scuola Leonardo Da Vinci in Florence, Italy; vocal studies with Dr. Robert C. White, Jr., Patricia Thom, and Robert F. White; studies in voice pedagogy and voice science with Dr. Jeanne Goffi-Fynn, and Dr. Thomas Murry; masterclasses with Phyllis Curtin, Marcello Giordani, Sanford Sylvan, Carol Vaness, and Edith Wiens; 1st Prize, Barry Alexander International Vocal Competition; winner, Friday Woodmere Vocal Competition; grant recipient, Gerda Lissner Foundation; finalist, Liederkranz Foundation Vocal Competition and the Oratorio Society of New York’s Lyndon Woodside Solo Competition.
Tenor Nils Neubert performs regularly in opera, oratorio, and recital. He has sung in the United States, Europe, and Asia. He serves on the faculties at William Paterson University, the Kaufman Music Center, the Summit Music Festival, and the International Academy of Music in Italy. He is former faculty at the Music Conservatory of Westchester, and the Burgos International Music Festival in Spain. He is an active member of NATS, NYSTA, and NAfME. For more information, please visit www.nilsneubert.com.
Soprano Claire Stadtmueller made her role debut as Tosca with Maestro Vincent Selva and New York Grand Opera in June, 2012 in Central Park. Zachary Wolfe of the New York Times wrote that she "...acted with affecting clarity." Nino Pantano of the Italian Voice said she "...was a real 'find' and her vibrant soprano and slender good looks made her a force." This season she will join Maestro La Selva again to sing the role of Amelia in Verdi's Un Ballo in Maschera. She will also perform a recital for the American Wagner Society in Chicago.
She made her Carnegie Hall debut in Beethoven's Missa Solemnis. Egon Stadelman wrote for the New Yorker Staats-Zeitung: "Of the solo quartet, soprano Claire Stadtmueller was by far the most outstanding. She enjoyed a star moment and took advantage of it to the loudly exclaimed enthusiasm of the audience." Maestro David Randolph of the St. Cecilia Chorus and Orchestra immediately reengaged her for Mozart's Mass in C Minor and Requiem, about which Mr. Stadelman wrote: "Of the soloists, Claire Stadtmueller stood out considerably; her timbre and demeanor reminded me of Elisabeth Schwarzkopf." She has since performed at Carnegie Hall in Handel's Israel in Egypt, Mendelssohn's Second Symphony, Bach's Christmas Oratorio and St. Matthew Passion, and Orff's Carmina Burana.
Ms. Stadtmueller has appeared at Lincoln Center 's Avery Fisher Hall, and on National Public Radio's A Prairie Home Companion and WGBH Boston's Classics in the Morning. She has performed with the Richard Tucker Foundation, and was engaged by Rhode Island's Composer in Residence Barbara Kolb to sing new jazz and classical works.
Opera roles she has performed include the title role in Donizetti's Lucia di Lammermoor, the Mozart roles of Pamina (The Magic Flute), Fiordiligi (Cosi fan tutte) and Miss Silverpeal (The Impresario); Rosario in Granados' Goyescas, the Mother in Menotti's Amahl and the Night Visitors and the Dew Fairy in Humperdinck's Hansel and Gretel. She created the leading role of Persephone in the world premiere of Geoffrey Gibbs' opera Potnia.
As a recitalist, Ms. Stadtmueller has performed at Carnegie Hall's Weill Recital Hall,
New York City's Trinity Church, and on numerous concert series on the east coast.
Her CD Sweet Peace, a collection of songs that celebrate peace or express the tragedy of war, was praised as beautiful by Frederica von Stade and Ned Rorem, and has been heard on many radio stations across the country. www.sweetpeace.com; www.bravasoprano.com
She holds degrees from New England Conservatory and University of Rhode Island, and continues her studies with international bass John Macurdy.