Publications As a source of information and education the Center for Chinese Art will produce and publish books which aim to bridge the gap and spur artistic dialog between Chinese and American cultures. It is hoped that the Center’s publications will gain support and exposure leading to further production of exhibit catalogs, textbooks, art history, theory and criticism, as well student journals and documentation.
Summer Art in China 2015Published by William Paterson University (Click on the cover for a PDF of the book) A Gathering: Chinese Contemporary Printmaking Exhibition (Click on the cover for a PDF of the book) Collision + Confluence: A Collection of Chinese-American Art Faculty Symposium Essays (Click on the cover for a PDF of the book) Collision + Confluence:An Exhibition of Chinese-American Art Faculty (Click on the cover for a PDF of the book) From Copper to BluefilmWilliam Paterson University Etching Exhibition. (Click on the cover for a PDF of the book) Drawing Catalog.An Exhibition of Chinese Drawings from China Central Academy of Fine Arts. (Click on the cover for a PDF of the book) Collision Printmaking.An Exhibition of Printmaking from many of today's youngest up and coming Printmaking Artists. (Click on the cover for a PDF sample) Summer Art in China 2011Published by William Paterson University (Click on the cover for a PDF sample) Ink Rhythm from River and Sea: Heritage and Innovation An Exhibition from Nantong Institute of Chinese Calligraphy & Painting.Published by William Paterson University & Nantong Institute of Chinese Calligraphy & Painting (Click on the cover for a PDF sample) Chinese Ink Painting TextbookQi Baishi: The Soul of the Chinese Painting by Zhiyuan Cong(Click on the cover for a PDF sample) With encouragement and support from our donors, Prof. Cong has compiled an album of selected paintings of Qi Baishi with a study of his life and art. With his thirty-year teaching experience in Chinese painting, both in China and in the United States, Prof. Cong has prepared an analysis and study of Qi Baishi, with emphasis on his place in the history of Chinese freehand flower and bird painting, on the process of his maturity as an artistic master, and on the technical and aesthetic characteristics of his art. To provide focus and convenience for readers who are interested in learning Chinese painting, Prof. Cong has selected only paintings of flowers and birds. Within this selection, attention is given to various subjects and styles. It is hoped that this volume will be a reference book and textbook for scholars and students to enjoy and study Chinese ink painting. Summer Art in China 2008Published by William Paterson University (Click on the cover for a PDF of the book) Summer Art in China 2005Published by William Paterson University (Click on the cover for a PDF of the book) Summer Art in China 2001Published by William Paterson University Art Work Collection of Nanjing Arts Institute, 1998Published by Nanjing Arts Institute and William Paterson University The Arts at William Paterson University, 1997Published by William Paterson Universityand Nanjing Arts Institute
