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Music Track

The music honors Track is designed to enhance the existing degree programs in music; it is not a stand-alone degree.

Components:

Four semesters of music honors seminars

Contractually enhanced content of selected courses in the student's particular music major program

Capstone project in the senior year - a culmination of the student's honors experience, in the form of a lecture, paper, musical score, report of research, recital or performance

Students have pursued a variety of interests in their theses. Some thesis projects include: “The Music of Ralph Towner” (a lecture and presentation), “The Application of the Alexander Technique to Instrumental Practice” (lecture and presentation), “Aspects of the Music of Sonny Rollins” (lecture and presentation with transcriptions), “The Modern Jazz Ballad” (lecture and presentation), “Analysis of Hindemth’s Tuba Sonata” (a paper), “The Process of Improvisation” (paper), “Ravel’s Le Tombeau de Couperin” (a performance with analytic commentary), “An Analysis of Samuel Barber’s Knoxville: Summer of 1915” (paper), and “An Introduction to the World of Early Jazz Guitar” (paper). Students have also explored the popular music of Brazil, transcribed piano pieces for an instrumental ensemble, and performed original compositions.

Who may apply?

Music majors of all levels with an interest in music as a liberal art beyond its vocational aspects.

How do I enroll?

Email or call the Program Director Dr. Jeffrey Kresky , 973- 720-3470 , kreskyj@wpunj.edu or call or email Jan Pinkston, 973-720-3657, pinkstonj@wpunj.edu .

 About the Program Director:
Dr. Jeffrey Kresky holds a B.A. from Columbia, and a Ph.D. from Princeton. He is a music theorist, with an emphasis in analysis and criticism; a composer, keyboardist and conductor; and author of Tonal Music: 12 Analytic Studies (Indiana), A Reader's Guide to the Chopin Preludes ( Greenwood), and articles and reviews in Perspectives of New Music, Gettysburg Review, and The Music Review. He was appointed to William Paterson University in 1973 and has served as the director of the Music Track since its inception.