[ Steinhart | PHIL 399-60 Home | Schedule | Links | Philosophy Home ]
All selections are taken from G. W. Leibniz's THE MONADOLOGY, translated by Robert Latta with emendations by Prof. Steinhart. Cited by section number.
17. "Moreover, it must be confessed that perception and that which depends upon it are inexplicable on mechanical grounds, that is to say, by means of figures and motions. And supposing there were a machine, so constructed as to think, feel, and have perception, it might be conceived as increased in size, while keeping the same proportions, so that one might go into it as into a mill. That being so, we should, on examining its interior, find only parts which work one upon another, and never anything by which to explain a perception. Thus it is in a simple substance, and not in a compound or in a machine, that perception must be sought for."
Implications:
64. "Thus the organic body of each living being is a kind of divine machine or natural automaton, which infinitely surpasses all artificial automata. For a machine made by the skill of man is not a machine in each of its parts. For instance, the tooth of a brass wheel has parts or fragments which for us are not artificial products, and which do not have the special characteristics of the machine, for they give no indication of the use for which the wheel was intended. But the machines of nature, namely, living bodies, are still machines in their smallest parts ad infinitum. It is this that constitutes the difference between nature and art, that is to say, between the divine art and ours. (Theod. 134, 146, 194, 403.)"
65. "And the Author of nature has been able to employ this divine and infinitely wonderful power of art, because each portion of matter is not only infinitely divisible, as the ancients observed, but is also actually subdivided without end, each part into further parts, of which each has some motion of its own; otherwise it would be impossible for each portion of matter to express the whole universe. (Theod. Prelim., Disc. de la Conform. 70, and 195.)"
66. "Whence it appears that in the smallest particle of matter there is a world of creatures, living beings, animals, entelechies, souls."
67. "Each portion of matter may be conceived as like a garden full of plants and like a pond full of fishes. But each branch of every plant, each member of every animal, each drop of its liquid parts is also some such garden or pond."
68. "And though the earth and the air which are between the plants of the garden, or the water which is between the fish of the pond, be neither plant nor fish; yet they also contain plants and fishes, but mostly so minute as to be imperceptible to us."
69. "Thus there is nothing fallow, nothing sterile, nothing dead in the universe, no chaos, no confusion save in appearance, somewhat as it might appear to be in a pond at a distance, in which one would see a confused movement and, as it were, a swarming of fish in the pond, without separately distinguishing the fish themselves."
Implications:
84. "It is this that enables spirits [or minds- esprits] to enter into a kind of fellowship with God, and brings it about that in relation to them He is not only what an inventor is to his machine (which is the relation of God to other created things), but also what a prince is to his subjects, and, indeed, what a father is to his children."
85. "Whence it is easy to conclude that the totality [assemblage] of all spirits [esprits] must compose the City of God, that is to say, the most perfect State that is possible, under the most perfect of Monarchs. (Theod. 146; Abrege, Object. 2.)"
86. "This City of God, this truly universal monarchy, is a moral world in the natural world, and is the most exalted and most divine among the works of God; and it is in it that the glory of God really consists, for He would have no glory were not His greatness and His goodness known and admired by spirits [esprits]. It is also in relation to this divine City that God specially has goodness, while His wisdom and His power are manifested everywhere. (Theod. 146; Abrege, Object. 2.)"
87. "As we have shown above that there is a perfect harmony between the two realms in nature, one of efficient, and the other of final causes, we should here notice also another harmony between the physical realm of nature and the moral realm of grace, that is to say, between God, considered as Architect of the mechanism [machine] of the universe and God considered as Monarch of the divine City of spirits [esprits]. (Theod. 62, 74, 118, 248, 112, 130, 247.)"
88. "A result of this harmony is that things lead to grace by the very ways of nature, and that this globe, for instance, must be destroyed and renewed by natural means at the very time when the government of spirits requires it, for the punishment of some and the reward of others. (Theod. 18 sqq., 110, 244, 245, 340.)"
89. "It may also be said that God as Architect satisfies in all respects God as Lawgiver, and thus that sins must bear their penalty with them, through the order of nature, and even in virtue of the mechanical structure of things; and similarly that noble actions will attain their rewards by ways which, on the bodily side, are mechanical, although this cannot and ought not always to happen immediately."
Implications: