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CURRICULUM VITAE
BRUCE WILLIAMS
- Associate Professor
- Languages and Cultures
William Paterson University
300 Pompton Road
Wayne, NJ 07470
(973)720-3654
williamsb@wpunj.edu
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- EDUCATION
- Postdoctoral
research, University of
California at Davis, Winter-
- Spring,
1992.
- Ph.D.,
UCLA, 1986,
Hispanic Languages and Literataures.
- M.A. (with
distinction), UCLA
1980. Luso-Brazilian
Studies.
- M.A., The
University of Pennsylvania, 1977,
Germanic Languages and Literatures.
COURSES TAUGHT
- French 370,
French Cinema.
- French 371,
Francophone Cinema.
- French 470,
Film Theory
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- MAJOR
PUBLISHED ARTICLES IN REFEREED BOOKS AND JOURNALS
- “Frysky
Business: Micro-regionalism in the Era of Post-nationalism.” Film
History 14.1 (2002): 100-112.
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- “A Mirror
of Desire: Looking Lesbian in María Luisa Bemberg’s I, the Worst
of All.” Quarterly Review of Film and Video 19.2 (April-June,
2002): 133-143.
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- “I Am the
Eye that Penetrates: Cinema and the Nostalgic Gaze of Murilo
Mendes’s Poemas.” Chasqui 30.2 (November 2001):
35-45.
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- “Straight
from Brazil? National and Sexual Disawowal in Mário Peixoto’s Limite.
Luso-Brazilian Review 38.1 (Summer 2001): 31-40.
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- “Playgrounds
of Desire: Almodóvar, Fetishism, and the Male Ideal Ego. Journal
of Film and Video 52.2 (Summer 2000): 28-40.
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- “I Lost It
at the Movies: Parodic Spectatorship in Héctor Babenco’s Kiss of
the Spider Woman.” Cinéma(s) (L’Université de Montréal)
10.1 (Fall 1999): 79-94.
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- “Dwarfing
Difference: Deformity at the Threshold of the Visible in Bemberg’s I
Don’t Want to Talk About It.”
Canadian Journal of Film Studies 8.2 (Fall 1999): 44-55.
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- “To Serve
Godard: Anthropophogical Processes Processes in Brazilian Cinema.” Literature/Film
Quarterly 27.3 (summer, 1999): 202-209.
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- "Memory
in Drag: Historical and
Sexual Strategies in Tomás Gutiérrez Alea's Memories of
Underdevelopment." Cinéma(s)
(L’Université de Montréal) 8.3 (spring, 1998): 105-120.
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- "'Life
Is Very Precious: Even Right Now: (Un)Happy Camping in the New German Cinema." Post Script 16.3 (summer,
1997): 71-84.
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- "Madrid au
naturel or the Reassment of Genre in the Post-Franco Cinema."
Excavatio IX, Fall, 1997: 212-219.
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- "In the
Realm of the Feminine: María
Luisa Bemberg's Camila at the Edge of the Gaze."
Chasqui 25.1 (1996): 62-71.
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- "Slippery
When Wet: En-sexualized Transgression in the Films of Pedro Almodóvar."
Post Script 14.3 (summer,
1995): 3-13.
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- "A
Transit to Significance: Poetic
Discourse in Chantal Akerman's Toute une nuit."
Literature/Film Quarterly 23.3 (1995): 216-222.
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- "Peep-show
Windows on the Economic Miracle: Robert van Ackeren's Erotic Melodramas." Film Criticism 19.3 (Spring
1995): 30-43.
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- "A
Mirror of the Cinema: Poetic
Discourse and Autotelic Aesthetics in Dovzhenko's Earth."
Journal of Ukranian Studies 19.1 (Summer,
1994): 67-83.
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- "Splintered
Perspectives: Counterpoint
and Subjectivity in the Modernist Film Narrative." Film Criticism 15.2 (Winter 1991): 2-12.
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Syllabi for the
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